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sansom
Some old... some new...
29 October - 19 November 2005

Artist profile & C.V.
Download exhibition catalogue (2.5mb pdf)

 

Shocker turns master by Jeff Makin

The position of Gareth Sansom in the Melbourne art community is ambivalent. To many he is an ageing enfant terrible whose early paintings in the 1960s brought anguish, shock and horror to the bastions of good taste and respectability.

To others, he is one of our unsung middle-generation masters.

Sansom is now a senior citizen and this overdue survey at the Potter begins with those controversial works of the early '60s and, three galleries and 50 works later, ends with his masterly triptych Sweeney Agonistes, painted this year.

In broad terms it is a development from a complex cacophony of heavily layered, semi-figurative painted collage around socio-political, trans-gender themes that, over the years, strips down to bare essentials. It is in one sense the diary of a brush that took the 40-year journey from participant to well-phrased aficionado.
Sansom's early influences included Picasso, Francis Bacon, Jean Dubuffet and David Hockney.
Two large key works from 1968, The Great Democracy and Tree of my Life, aptly illustrate Sansom's pictorial dexterity as they free-range over cross-dressing, eroticism, pop culture, art-isms and socio-political issues of the day.

In his Great Democracy we see George Washington in continuo across the top of the painting. The American Pop artist Larry Rivers also did a similar thing. Below there's a collaged atomic blast and to the right explicit photographs of radiation burns that illustrate Sansom's protest against the Vietnam War.
In his Tree of my Life the counterplay between the respectable and the unacceptable emerges with this artist as a young man cross-dressing in one corner and playing acceptable cricket in another. So begins the Jekyll and Hyde pictorial play-off that many of Melbourne's matrons loved to hate, and others hated to love.

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exhaustion
1. Exhaustion 2005

excalibur
2. Excalibur 2005

boot art
3. Boot art 2005
dorian
4. Dorian 2005
rosemary's baby
5. Rosemary's baby 2005
the big red one
6. The big red one 2005
unrequited love
7. Unrequited love 2005
singing the balthus blues
8. Singing the Balthus blues 2005
the man who wasn't there
9. The man who wasn't there 2005
the aristocrats
10. The Aristocrats 2005
so! (I)
11. So! (I) 1990
so! (II)
12. So! (II) 1990
my close shave
13. My close shave 1990

14. Life is very short 1990
sugar and spice
15. Sugar and spice 1979
weird architecture
16. Weird architecture 2004
grey one through to twenty
17. Grey one through to twenty 1979
dance macabre
18. Dance macabre 2004
   

All works oil + enamel on linen, 124 x 124 cm except - 9. oil, alkyd resin + enamel on linen, 149 x 178 cm, 11-14. mixed media on cotton duck, 76 x 61 cm, 15 & 17. mixed media on cardboard, 83 x 104 cm, 16 & 18. mixed media on paper, 58 x 77cm

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